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El Señor de los Cielos 2 | Capítulo 1 | Telemundo
 
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Capítulo 1 Video oficial de la novela de Telemundo El Señor de los Cielos 2 completo: Aurelio Casillas (Rafael Amaya) SUBSCRIBETE: http://bit.ly/1DDw9DR El Señor de los Cielos: Aurelio Casillas se ha convertido en uno de los narcotraficantes más importantes del México de los años 90´s. Pero no quiere ser uno más de los que mueven el creciente negocio de la venta al mayor de cocaína, quiere ser el más grande, el único, el que ocupe el lugar de Pablo Escobar, El Patrón del Mal. Una historia cargada de acción, emociones, pasiones desenfrenadas, lujos, miserias, intrigas y vértigo, que simboliza la eterna lucha entre el bien y el mal. SUBSCRIBETE: http://bit.ly/11evqY8 Telemundo Es una división de Empresas y Contenido Hispano de NBCUniversal, liderando la industria en la producción y distribución de contenido en español de alta calidad a través de múltiples plataformas para los hispanos en los EEUU y a audiencias alrededor del mundo. Ofrece producciones originales, películas de cine, noticias y eventos deportivos de primera categoría y es el proveedor de contenido en español número dos mundialmente sindicando contenido a más de 100 países en más de 35 idiomas. SIGUENOS EN TWITTER: http://bit.ly/1vl4zqp DANOS LIKE EN FACEBOOK: http://on.fb.me/1EWlDol GOOGLE+: http://bit.ly/1xR1rlI El Señor de los Cielos 2 | Capítulo 1 | Telemundo https://www.youtube.com/user/telemundotv
Views: 5190594 Telemundo
Humans Need Not Apply
 
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Support Grey making videos: https://www.patreon.com/cgpgrey ## Robots, Etc: Terex Port automation: http://www.terex.com/port-solutions/en/products/new-equipment/automated-guided-vehicles/lift-agv/index.htm Command | Cat MieStar System.: http://www.catminestarsystem.com/capability_sets/command Bosch Automotive Technology: http://www.bosch-automotivetechnology.com/en/de/specials/specials_for_more_driving_safety/automated_driving/automated_driving.html Atlas Update: https://www.youtube.com/watch?v=SD6Okylclb8&list=UU7vVhkEfw4nOGp8TyDk7RcQ Kiva Systems: http://www.kivasystems.com PhantomX running Phoenix code: https://www.youtube.com/watch?v=rAeQn5QnyXo iRobot, Do You: https://www.youtube.com/watch?v=da-5Uw8GBks&list=UUB6E-44uKOyRW9hX378XEyg New pharmacy robot at QEHB: https://www.youtube.com/watch?v=_Ql1ZHSkUPk Briggo Coffee Experience: http://vimeo.com/77993254 John Deere Autosteer ITEC Pro 2010. In use while cultivating: https://www.youtube.com/watch?v=VAPfImWdkDw&t=19s The Duel: Timo Boll vs. KUKA Robot: https://www.youtube.com/watch?v=tIIJME8-au8 Baxter with the Power of Intera 3: https://www.youtube.com/watch?v=DKR_pje7X2A&list=UUpSQ-euTEYaq5VtmEWukyiQ Baxter Research Robot SDK 1.0: https://www.youtube.com/watch?v=wgQLzin4I9M&list=UUpSQ-euTEYaq5VtmEWukyiQ&index=11 Baxter the Bartender: https://www.youtube.com/watch?v=AeTs9tLsUmc&list=UUpSQ-euTEYaq5VtmEWukyiQ Online Cash Registers Touch-Screen EPOS System Demonstration: https://www.youtube.com/watch?v=3yA22B0rC4o Self-Service Check in: https://www.youtube.com/watch?v=OafuIBDzxxU Robot to play Flappy Bird: https://www.youtube.com/watch?v=kHkMaWZFePI e-david from University of Konstanz, Germany: https://vimeo.com/68859229 Sedasys: http://www.sedasys.com/ Empty Car Convoy: http://www.youtube.com/watch?v=EPTIXldrq3Q Clever robots for crops: http://www.crops-robots.eu/index.php?option=com_content&view=article&id=62&Itemid=61 Autonomously folding a pile of 5 previously-unseen towels: https://www.youtube.com/watch?v=gy5g33S0Gzo#t=94 LS3 Follow Tight: https://www.youtube.com/watch?v=hNUeSUXOc-w Robotic Handling material: https://www.youtube.com/watch?v=pT3XoqJ7lIY Caterpillar automation project: http://www.catminestarsystem.com/articles/autonomous-haulage-improves-mine-site-safety Universal Robots has reinvented industrial robotics: https://www.youtube.com/watch?v=UQj-1yZFEZI Introducing WildCat: https://www.youtube.com/watch?v=wE3fmFTtP9g The Human Brain Project - Video Overview: https://www.youtube.com/watch?v=JqMpGrM5ECo This Robot Is Changing How We Cure Diseases: https://www.youtube.com/watch?v=ra0e97Wiqds Jeopardy! - Watson Game 2: https://www.youtube.com/watch?v=kDA-7O1q4oo What Will You Do With Watson?: https://www.youtube.com/watch?v=Y_cqBP08yuA ## Other Credits Mandelbrot set: https://www.youtube.com/watch?v=NGMRB4O922I&list=UUoxcjq-8xIDTYp3uz647V5A Moore's law graph: http://en.wikipedia.org/wiki/File:PPTMooresLawai.jpg Apple II 1977: https://www.youtube.com/watch?v=CxJwy8NsXFs Beer Robot Fail m2803: https://www.youtube.com/watch?v=N4Lb_3_NMjE All Wales Ambulance Promotional Video: https://www.youtube.com/watch?v=658aiRoVp6s Clyde Robinson: https://www.flickr.com/photos/crobj/4312159033/in/photostream/ Time lapse Painting - Monster Spa: https://www.youtube.com/watch?v=ED14i8qLxr4
Views: 11129110 CGP Grey
Proyección en el trabajo - Enric Corbera
 
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¿Por qué hablamos de proyección en el trabajo? Encuentra nuevas temáticas en mis cursos y conferencias: https://www.enriccorbera.com En esta conferencia reflexionamos sobre el papel que jugaban nuestros programas inconscientes en el ámbito profesional. Nuestro cerebro se divide en dos hemisferios: uno de carácter analítico, lineal y espacio-temporal; el otro, de carácter atemporal y fuera del espacio tiempo. Muchas veces no escuchamos a éste último, privándonos así de nuestra inspiración y creatividad. Utilizarlos en equilibrio aumenta nuestro potencial en el ámbito laboral y profesional. La realidad es que le dedicamos muchas horas a nuestros proyectos profesionales. Pero quién no se ha preguntado alguna vez por qué hago este trabajo. En esta conferencia descubrimos que nunca estamos en el sitio equivocado; estamos dónde debemos estar para aprender y trascender cualquier situación laboral. Desde un punto de vista integral, no-dual, se puede demostrar que todo lo que hacemos vuelve hacía nosotros mediante las resonancias. Siempre estamos resonando con nosotros mismos a través de los demás, también en el trabajo. Llevo años investigando cómo las emociones afectan a nuestras relaciones, a nuestro cuerpo y a la realidad que nos envuelve. Fundé Enric Corbera Institute; una organización educativa dónde trabajo junto a un amplio equipo de profesionales de diferentes disciplinas científicas y humanistas, comprometidos con el desarrollo de una nueva visión del bienestar desde la relación inseparable entre cuerpo, mente y emociones. Para ello contamos con un método propio conocido internacionalmente: La Bioneuroemoción®, que combina conocimientos propios de la espiritualidad y de la ciencia, generando un método único para acompañar a las personas a transitar situaciones de dificultad. Descarga el audio compatible con todos los dispositivos: http://bit.ly/2odP8kR ¿Quieres saber más sobre la Bioneuroemoción®? https://www.enriccorberainstitute.com/bioneuroemocion Suscríbete a mi canal para ver nuevos contenidos: http://bit.ly/2Mqsp3r Sígueme en Facebook: http://bit.ly/2NcyLzF Sígueme en Instagram: http://bit.ly/2BDRYZH
Views: 667200 Enric Corbera
Mr. Right Official Trailer #1 (2016) - Anna Kendrick, Sam Rockwell Comedy HD
 
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Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Like us on FACEBOOK: http://bit.ly/1QyRMsE Follow us on TWITTER: http://bit.ly/1ghOWmt Mr. Right Official Trailer #1 (2016) - Anna Kendrick, Sam Rockwell Comedy HD A girl falls for the "perfect" guy, who happens to have a very fatal flaw: he's a hitman on the run from the crime cartels who employ him. The Fandango MOVIECLIPS Trailers channel is your destination for the hottest new trailers the second they drop. Whether it's the latest studio release, an indie horror flick, an evocative documentary, or that new RomCom you've been waiting for, the Fandango MOVIECLIPS team is here day and night to make sure all the best new movie trailers are here for you the moment they're released. In addition to being the #1 Movie Trailers Channel on YouTube, we deliver amazing and engaging original videos each week. Watch our exclusive Ultimate Trailers, Showdowns, Instant Trailer Reviews, Monthly MashUps, Movie News, and so much more to keep you in the know. Here at Fandango MOVIECLIPS, we love movies as much as you!
Views: 8808256 Movieclips Trailers
Dr. Jekyll and Mr. Hyde - Phelous
 
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The only animated MOVIE version of the story of Dr. Jekyll and Mr. Hyde makes death such fun... or more disturbing, you decide! http://www.phelous.com http://www.patreon.com/phelous Originally aired: July 3, 2013
Views: 236613 Phelan Porteous
How Not To Die: The Role of Diet in Preventing, Arresting, and Reversing Our Top 15 Killers
 
01:22:15
In this “best-of” compilation of his last four year-in-review presentations, Dr. Greger explains what we can do about the #1 cause of death and disability: our diet. Subscribe to Dr. Greger’s free nutrition newsletter and get the Evidence-Based Eating Guide: A Healthy Living Resource from Dr. Greger and NutritionFacts.org. Sign up at https://www.nutritionfacts.org/healthkit. I'd like to thank Dr. John McDougall (www.drmcdougall.com) and his team for videotaping this and allowing us to share it with the world. To watch my last four annual talks in their entirety, check out: Uprooting the Leading Causes of Death (http://nutritionfacts.org/video/uprooting-the-leading-causes-of-death) More Than an Apple a Day (http://nutritionfacts.org/video/more-than-an-apple-a-day-preventing-our-most-common-diseases) From Table to Able (http://nutritionfacts.org/video/from-table-to-able) Food as Medicine (http://nutritionfacts.org/video/food-as-medicine) Have a question about this video? Leave it in the comment section at http://nutritionfacts.org/video/how-not-to-die and someone on the NutritionFacts.org team will try to answer it. You’ll also find a transcript and acknowledgements for the video, my blog and speaking tour schedule, and an easy way to search (by translated language even) through our videos spanning more than 2,000 health topics. If you’d rather watch these videos on YouTube, subscribe to my YouTube Channel here: https://www.youtube.com/subscription_center?add_user=nutritionfactsorg Thanks for watching. I hope you’ll join in the evidence-based nutrition revolution! -Michael Greger, MD FACLM http://www.NutritionFacts.org • Subscribe: http://www.NutritionFacts.org/subscribe • Donate: http://www.NutritionFacts.org/donate • HOW NOT TO DIE: http://nutritionfacts.org/book • Facebook: http://www.facebook.com/NutritionFacts.org • Twitter: http://www.twitter.com/nutrition_facts • Instagram: http://instagram.com/nutrition_facts_org/ • Google+: https://plus.google.com/+NutritionfactsOrgMD • Podcast: http://nutritionfacts.org/audio/
Views: 546815 NutritionFacts.org
Konrad oder Das Kind aus der Konservenbüchse - Konrad or the Child out of the Tin (1983)
 
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8 Languages Subtitles in Settings! The movie Konrad or the Child out of the Tin is based loosely on the children's book Konrad oder das Kind aus der Konservenbüchse (Konrad ou a criança fora da lata 1975) by Austrian author Christine Nöstlinger. The book Konrad ou l'enfant hors de l'étain was awarded the Mildred L. Batchelder award from the American Library Association in 1979. Frau Berti Bartolotti bekommt eines Tages ein ungewöhnliches Paket geliefert: eine Riesenkonservenbüchse, in der ein etwas schrumpeliger Zwerg hockt. Nach Übergießen mit beiliegender Nährlösung entsteigt der Büchse ein siebenjähriges Kind, ein Junge, der zur Frau Bartolotti überraschend und artig »Guten Tag, liebe Mutter!« sagt. Konrad, das Kind aus der Konservenbüchse, erweist sich zunächst als ein richtiger Musterknabe, bis sich herausstellt, dass er eine Fehllieferung war... La señora Bertolotti tiene una manía: es aficionada a enviar cupones para recibir a cambio diversos objetos. Un día le llega un paquete especial: un niño de siete años dentro de una lata de conservas. Subtitles added: english,spanish,portuegese,japanese,indonesian,french,русский,german.
Views: 171774 Eugene Pashkowski
Suspense: Will You Make a Bet with Death / Menace in Wax / The Body Snatchers
 
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There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" - "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Views: 162847 Remember This
Calling All Cars: The 25th Stamp / The Incorrigible Youth / The Big Shot
 
01:28:24
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 407121 Remember This
Calling All Cars: True Confessions / The Criminal Returns / One Pound Note
 
01:27:24
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 96912 Remember This
Calling All Cars: Desperate Choices / Perfumed Cigarette Lighter / Man Overboard
 
01:27:25
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 72260 Remember This
You Bet Your Life: Secret Word - Floor / Door / Table
 
01:28:03
Julius Henry "Groucho" Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as "Groucho glasses", a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache. Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as "Groucho glasses", "nose-glasses," and other names) are sold by novelty and costume shops around the world. Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit). Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, "Yankee Doodle Doctor", Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding. On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms. Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed "'39" a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the "O"s is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend. In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter. Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of "Hooray for Captain Spaulding"—done entirely in French. In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival. In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality. The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel. http://en.wikipedia.org/wiki/Groucho
Views: 44386 Remember This
The Great Gildersleeve: Disappearing Christmas Gifts / Economy This Christmas / Family Christmas
 
01:29:30
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
Views: 114590 Remember This
Calling All Cars: The Grinning Skull / Bad Dope / Black Vengeance
 
01:27:54
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Views: 50557 Remember This
NYSTV - Hierarchy of the Fallen Angelic Empire w Ali Siadatan - Multi Language
 
02:31:05
Chronologically, after the fall of Adam, the fallen angels procreated with humans to create a genetic hybrid that was an unsanctioned creation from God. These "Giants" took over the world and were made the rulers of kingdoms. The "Enlilship" as it was called. This is where Ali's talk begins. The nephilim (hybrids) took positions of power and created all the false religions of the world. They reinvented themselves as the gods of old. Zeus, Aphrodite, Baal, Shiva, etc... They especially like to be associated as moon or sun gods. To this day, the Fallen Angel Hybrids hold all the key positions of power. We don't call them fallen angel hybrids, we call them the illuminati. Another in depth discussion by Ali Siadatan, whose topics of expertise include Fallen Angel Genealogy, Ancient pre flood history, the Illuminati, End Times Prophecy, Modern History, Ancient Aliens, UfOs and a lot more. His website is thinkagainproductions.com And don't forget to check out NYSTV with Jon Pounders. Free Truth Productions Truth = Freedom www.freetruthproductions.com Languages Afrikaans አማርኛ العربية Azərbaycanca / آذربايجان Boarisch Беларуская Български বাংলা བོད་ཡིག / Bod skad Bosanski Català Нохчийн Sinugboanong Binisaya ᏣᎳᎩ (supposed to be Burmese but it doesn't show...) Corsu Nehiyaw Česky словѣньскъ / slověnĭskŭ Cymraeg Dansk Deutsch Ελληνικά Esperanto Español Eesti Euskara فارسی Suomi Võro Français Frysk Gàidhlig Galego Avañe'ẽ ગુજરાતી هَوُسَ Hawai`i עברית हिन्दी Hrvatski Krèyol ayisyen Magyar Հայերեն Bahasa Indonesia Igbo Ido Íslenska Italiano 日本語 Basa Jawa ქართული Қазақша ភាសាខ្មែរ ಕನ್ನಡ 한국어 Kurdî / كوردی Коми Kırgızca / Кыргызча Latina Lëtzebuergesch ລາວ / Pha xa lao Lazuri / ლაზური Lietuvių Latviešu Malagasy 官話/官话 Māori Македонски മലയാളം Монгол Moldovenească मराठी Bahasa Melayu bil-Malti Myanmasa नेपाली Nederlands Norsk (bokmål / riksmål) Diné bizaad Chi-Chewa ਪੰਜਾਬੀ / पंजाबी / پنجابي Norfuk Polski پښتو Português Romani / रोमानी Kirundi Română Русский संस्कृतम् Sicilianu सिनधि Srpskohrvatski / Српскохрватски සිංහල Slovenčina Slovenščina Gagana Samoa chiShona Soomaaliga Shqip Српски Sesotho Basa Sunda Svenska Kiswahili தமிழ் తెలుగు Тоҷикӣ ไทย / Phasa Thai Tagalog Lea Faka-Tonga Türkçe Reo Mā`ohi Українська اردو Ўзбек Việtnam Хальмг isiXhosa ייִדיש Yorùbá 中文 isiZulu ‪中文(台灣)‬ tokipona Languages Afrikaans አማርኛ العربية Azərbaycanca / آذربايجان Boarisch Беларуская Български বাংলা བོད་ཡིག / Bod skad Bosanski Català Нохчийн Sinugboanong Binisaya ᏣᎳᎩ (supposed to be Burmese but it doesn't show...) Corsu Nehiyaw Česky словѣньскъ / slověnĭskŭ Cymraeg Dansk Deutsch Ελληνικά Esperanto Español Eesti Euskara فارسی Suomi Võro Français Frysk Gàidhlig Galego Avañe'ẽ ગુજરાતી هَوُسَ Hawai`i עברית हिन्दी Hrvatski Krèyol ayisyen Magyar Հայերեն Bahasa Indonesia Igbo Ido Íslenska Italiano 日本語 Basa Jawa ქართული Қазақша ភាសាខ្មែរ ಕನ್ನಡ 한국어 Kurdî / كوردی Коми Kırgızca / Кыргызча Latina Lëtzebuergesch ລາວ / Pha xa lao Lazuri / ლაზური Lietuvių Latviešu Malagasy 官話/官话 Māori Македонски മലയാളം Монгол Moldovenească मराठी Bahasa Melayu bil-Malti Myanmasa नेपाली Nederlands Norsk (bokmål / riksmål) Diné bizaad Chi-Chewa ਪੰਜਾਬੀ / पंजाबी / پنجابي Norfuk Polski پښتو Português Romani / रोमानी Kirundi Română Русский संस्कृतम् Sicilianu सिनधि Srpskohrvatski / Српскохрватски සිංහල Slovenčina Slovenščina Gagana Samoa chiShona Soomaaliga Shqip Српски Sesotho Basa Sunda Svenska Kiswahili தமிழ் తెలుగు Тоҷикӣ ไทย / Phasa Thai Tagalog Lea Faka-Tonga Türkçe Reo Mā`ohi Українська اردو Ўзбек Việtnam Хальмг isiXhosa ייִדיש Yorùbá 中文 isiZulu ‪中文(台灣)‬ tokipona
Views: 33468 Free Truth Productions
The Great Gildersleeve: Marjorie's Boy Troubles / Meet Craig Bullard / Investing a Windfall
 
01:29:30
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
Views: 51057 Remember This
NYSTV - Forbidden Archaeology - Proof of Ancient Technology w Joe Taylor Multi - Language
 
01:24:26
Joe Taylor, founder of Mt. Blanco Fossil Museum and his incredible findings in his many years as a paleontologist. Whenever there is a bone discovered with the potential to shake the foundations of history, they just say that that piece of bone was contaminated. Joe points out all you have to do is scrap off a layer of the bone and then you can get a fresh uncontaminated sample. The educational "scientific" establishment is pretty shady. Paradigm shifting discoveries that go ignored by the mainstream educational system. Elongated skulls, nephilm bones, red haired 12 foot mummies. Abraham Lincoln once wrote that he's like to uncover the mounds that buried the giants of this lands. He wasn't some kook. Giants throw off the whole evolutionary lie they want to promote so they go to great lengths to cove this fact up. The Smithsonian and the Vatican have a lot to do with this cover up. They scoop up the findings and they are never seen again. Joe Taylor talks about other subject you'll never hear from him. Free Truth Productions Truth always hurts but it's totally worth it! www.freetruthproduction.com Languages: Afrikaans አማርኛ العربية Azərbaycanca / آذربايجان Boarisch Беларуская Български বাংলা བོད་ཡིག / Bod skad Bosanski Català Нохчийн Sinugboanong Binisaya ᏣᎳᎩ (Burmese) but there It doesn't load correctly) Corsu Nehiyaw Česky словѣньскъ / slověnĭskŭ Cymraeg Dansk Deutsch Ελληνικά Esperanto Español Eesti Euskara فارسی Suomi Võro Français Frysk Gàidhlig Galego Avañe'ẽ ગુજરાતી هَوُسَ Hawai`i עברית हिन्दी Hrvatski Krèyol ayisyen Magyar Հայերեն Bahasa Indonesia Igbo Ido Íslenska Italiano 日本語 Basa Jawa ქართული Қазақша ភាសាខ្មែរ ಕನ್ನಡ 한국어 Kurdî / كوردی Коми Kırgızca / Кыргызча Latina Lëtzebuergesch ລາວ / Pha xa lao Lazuri / ლაზური Lietuvių Latviešu Malagasy 官話/官话 Māori Македонски മലയാളം Монгол Moldovenească मराठी Bahasa Melayu bil-Malti Myanmasa नेपाली Nederlands Norsk (bokmål / riksmål) Diné bizaad Chi-Chewa ਪੰਜਾਬੀ / पंजाबी / پنجابي Norfuk Polski پښتو Português Romani / रोमानी Kirundi Română Русский संस्कृतम् Sicilianu सिनधि Srpskohrvatski / Српскохрватски සිංහල Slovenčina Slovenščina Gagana Samoa chiShona Soomaaliga Shqip Српски Sesotho Basa Sunda Svenska Kiswahili தமிழ் తెలుగు Тоҷикӣ ไทย / Phasa Thai Tagalog Lea Faka-Tonga Türkçe Reo Mā`ohi Українська اردو Ўзбек Việtnam Хальмг isiXhosa ייִדיש Yorùbá 中文 isiZulu ‪中文(台灣)‬ tokipona
Views: 11018 Free Truth Productions
Dragnet: Homicide / The Werewolf / Homicide
 
01:26:57
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows. Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans. Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect. Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time. http://en.wikipedia.org/wiki/Dragnet_(series)
Views: 58493 Remember This
The Great Gildersleeve: Gildy Gives Up Cigars / Income Tax Audit / Gildy the Rat
 
01:29:30
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. http://en.wikipedia.org/wiki/Great_Gildersleeve
Views: 86195 Remember This
Suspense: Blue Eyes / You'll Never See Me Again / Hunting Trip
 
01:29:08
Thriller is a broad genre of literature, film, and television programming that uses suspense, tension and excitement as the main elements.[1] Thrillers heavily stimulate the viewer's moods giving them a high level of anticipation, ultra-heightened expectation, uncertainty, surprise, anxiety and/or terror. Good thriller films tend to be adrenaline-rushing, gritty, rousing and fast-paced. Literary devices such as red herrings, plot twists and cliffhangers are used extensively. A thriller is a villain-driven plot, whereby he or she presents obstacles that the protagonist must overcome.[2][3] Common subgenres are psychological thrillers, crime thrillers and mystery thrillers.[4] Another common subgenre of thriller is the spy genre which deals with fictional espionage. Successful examples of thrillers are the films of Alfred Hitchcock. The horror and action genres often overlap with the thriller genre.[5] In 2001, the American Film Institute in Los Angeles made its definitive selection of the top 100 greatest American "heart-pounding" and "adrenaline-inducing" films of all time. To be eligible, the 400 nominated films had to be American-made films, whose thrills have "enlivened and enriched America's film heritage". AFI also asked jurors to consider "the total adrenaline-inducing impact of a film's artistry and craft".[6][7] Homer's Odyssey is one of the oldest stories in the Western world and is regarded as an early prototype of the thriller. One of the earliest thriller movies was Harold Lloyd's comic Safety Last! (1923), with a character performing a daredevil stunt on the side of a skyscraper. Alfred Hitchcock and Fritz Lang helped to shape the modern-day thriller genre beginning with The Lodger (1926) and M (1931), respectively.[2] http://en.wikipedia.org/wiki/Suspense_thriller
Views: 437203 Remember This
The Great Gildersleeve: Gildy Gets Eyeglasses / Adeline Fairchild Arrives / Be Kind to Birdie
 
01:29:31
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
Views: 114343 Remember This
The Great Gildersleeve: Gildy Drives a Mercedes / Gildy Is Fired / Mystery Baby
 
01:29:31
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
Views: 82302 Remember This